Posted on by mikebobsworld

Remembering Angela

Remembering Angela

I haven’t written in several weeks. Pain kept me away, and Pain has brought me back. Angela Lansbury passed away on October 11, 2022. Just a few days ago and just a few days before celebrating her 97th birthday on October 16. I have already done a blog on her life, so I will refer you back to that. I want to make this a memorial of sorts.

When I think of Angela’s death or hear on my Amazon Echo device speak of it, the tears come. I’m trying to figure out why. How did a woman who wouldn’t know me from Adam get deeply embedded in my heart? I know it’s not only me; NASA dedicated a Cosmic Rose in her honor. I’ve seen pictures of this rose, and it’s the most beautiful thing I’ve ever seen. One had to wonder why? NASA does not often align itself with the entertainment industry. They use Snoopy as a mascot from time to time, but that’s about it. Angela Lansbury and Snoopy seem an odd combination. But NASA knew that everyone loves Snoopy, and I guess they came to realize that everyone loves Angela Lansbury too.

In my family Miss Lansbury delighted at least five generations, possibly six. My great-grandparents immigrated to this country early in the 20th century. I don’t know much about them as they died when I was very young. I don’t know if they went to the movies or even watched TV. If they did, they might have enjoyed Miss Lansbury in her film work, the opportunity was there, but I don’t know. My grandmother did love Murder She Wrote, as did my parents and I. My nieces and nephews grew up on Beauty and the Beast, and they are showing that movie to their children along with Bed knobs and Broomsticks. That tallies to a definite five generations.

In my previous blog, I concentrated on the films Miss Lansbury was in, not the roles she played. Today, I want to talk about her characters. I first met Angela on the screen in 1971. I was ten, and Angela played the role of Eglantine Price in the Disney feature film Musical Bed Knobs and Broomsticks. Eglantine was a spinster determined to become a witch to help England win the 2nd World War. Her studies get interrupted when three children from London come to stay with her to escape war-torn London. This is where the fun in the film begins.

Eglantine Price was a great role for Angela. In an interview, she stated that she enjoyed playing the part and the process of creating the character. In her first appearance, Eglantine seems stern and unapproachable; as the movie progresses, you learn that she is warm, caring, and not afraid to take on a challenge. These were great lessons for a ten-year-old. I loved this movie and so did my friends who went with me to see it.

Mame Dennis. Five years earlier, Miss Lansbury landed the role of Mame Dennis in the musical version of Auntie Mame. In the 50s, no one could have touched Rosalind Russell’s portrayal of the aunt every child would love to have. In 1966 however, Lansbury made that role her own, and with the words and music of Jerry Herman, she made a mark on Broadway that would, in some ways, compel the rest of her career. She went from being a second banana to being a true star in every way possible.

Mame would be considered a person who thought outside of the box in every conceivable situation. Her solution to problems was to get involved in outlandish schemes that would both court disaster and triumph. But all through the character is the essence of life is meant to be lived. “Live, live, live, life is a banquet, and most poor suckers are starving to death.” This was her motto for life rain or shine.

Angela made the character her own and played her differently than Rosalind Russell of course, I can only tell this from the songs, but I think Angela was a bit more of a gentle Mame. Russell tore thru like a tornado, whereas Angela gracefully swept through, winning people to her side as she went.

Salome Autobahn was a supporting character in the first of the three filmed versions of Agatha Christie’s Death On The Nile. The star of the film was Peter Ustinov as Hercule Poitot, the great Belguin detective. Some of the rest of the supporting cast boasted Bette Davis and Maggie Smith, so Angela was in good company. Salome Autobahn is a drunk author who is a suspect in the murder. Angela is a delight as she romps through this movie, outshining all the other cast members through her crazy antics. Basically, Angela gets all the laughs in this film. It’s not a comedy, but the light-hearted moments made up for the gruesome tale. This movie was made in 1978 right on the tail of Murder on the Orient Express, another Christie book, but this was not the end of Angela and Miss Christie.

In 1980 Miss Lansbury took the lead role as Miss Marple Agatha Christie’s other leading detective.  Lansbury was 55 when she made this film. Miss Marple is an elderly spinster with a mind like a steel trap. Nothing gets past this old lady, and Lansbury plays her well, undoubtedly setting the stage for what was to come to her in four short years.

In 1979 Lansbury again made a hit on Broadway as Mrs. Lovett in Stephen Sondheim’s Sweeney Todd The Demon Barber of Fleet Street. Playing opposite Len Cariou as Sweeney, Angela was a delight as the pie shop lady that baked Sweeney’s murdered corpses into meat pies. The show found a way to make an otherwise appalling legend humorous and a little fun. Everyone, in the end, gets their just desserts, pun intended, and Angela walked away with that year’s Tony Award for best actress in a musical.

On October 7, 1984, Angela began her twelve-year run on Murder, She Wrote. The weekly murder mystery series starred Angela as Jessica Fletcher, a retired school teacher from Cabot Cove, Maine, who globe trotted her way into a different murder every week. When she wasn’t in some distant place solving a murder, one would pop up in Cabot Cove. Between Jessica Fletcher and Stephen King, Maine is not the safest place to live. Angela was nominated every year the show was on for an Emmy award, and the sad truth is she never took one home. It makes you wonder if the award shows aare more about politics than talent?

On November 22, 1991, Angela would again make a stamp on childhood. This time a symbol that, I believe, at least for the next several generations, will never go away. Much like adults in the past love to share Judy Garland in The Wizard of Oz with their children. Parents now share the magic of the animated film Beauty and the Beast with Angela Lansbury as the lovable Teapot Mrs. Potts singing the title song. And like Judy’s unforgettable rendition of Somewhere Over The Rainbow, Angela’s singing of Beauty and the Beast brings to hearts sheer beauty and hope to the soul.

There is so much more to say about Angela Lansbury’s brilliant career. I didn’t touch on the villains she played; she played more than a few brilliantly; for proof of this, watch the 1962 film The Manchurian Candidate. Honorary mention must go to her portrayal of Ada Harris in the original film version of Mrs’ arris Goes to Paris, Penelope Keeling in The Shell Seekers, Aunt March is the BBC/PBS version of Little Women and her wonderful cameo appearance as The Balloon Lady in Disney’s Mary Poppins Returns.

I want to talk about one more role of Angela’s before I end this memorial. In 1996 Angela would again team with Jerry Herman, who wrote the music and lyrics to Mame to bring to life and finally give center stage to one of legend’s most unrecognized characters Mrs. Santa Claus. I loved and still love this musical that takes place in turn of the century New York City where Mrs. Santa Claus finds herself stranded just a few days before Christmas. In 90 or so minutes, she reunites families, makes a stand for women’s suffrage, and thwarts the plot of a nefarious toy manufacturer. All the while singing some of the best songs ever. My favorite is Almost Young, an anthem for always staying young at heart.

My bones are often racked up,

They often act up each time it rains.

But arthritis and fleabites are simple growing pains.

So let them say I’m past my peak,

That I’m a million years from hide and seek,

But when my dirge is sung,

I’ll still be struttin and kickin,

Like some little chicken,

And tough as a riddle,

And fit as a fiddle

And almost young.

Last night October 16, 2022, the lights dimmed on Broadway for Angela Lansbury. The lights went dark on NYC’s most prominent street, and an image of Angela shown for a few seconds. Now it’s time for us to say goodnight too.

“Back to the cupboard with you now chip.”

“It’s past your bedtime.”

“G’nite Love”

Posted on by mikebobsworld

How Can I Help; The Philosophy of New Amsterdam

For the last four years, I have thoroughly enjoyed watching the television show New Amsterdam.  New Amsterdam is a fictional hospital in NYC but it is based on the very real hospital Bellvue also in NYC. The show’s stories are interesting and compelling.  The scripts are well written and the cast of characters well defined.

In the first season and for the last four years the show centers around Dr. Max Goodwin. In the first episode, Max takes over as what I believe is now called The Chief Medical Officer in a hospital.  In other words, Max was running the show.  In the first three and half seasons, Max stays in this position until he marries Helen the head of the oncology department and they both move to London Helen’s original home.  Max is back now trying to get the hospital back from the evil woman who the board elected to take his place.  The culmination of that will take place tonight, Tuesday, May 10, 2022. 

In his first season, Max is constantly asking the same question whenever a problem arises.  That question is, “How can I help?”  That attitude begins to take over the whole hospital as you begin to see the main characters more and more, some subtly some overtly begin to take on the characteristic of caring for each other and the patients of the hospital.

Now you would think patient care would always be the top priority of all medical facilities.  Having worked in medicine for 30 years as a dialysis technician and a medical assistant.  I have seen the level of care for patients being eroded by government rules and paperwork.  Hands-on care by nurses is now relegated more and more to technicians who sometimes do not have the experience or the education to take on that care.  Mandatory 12 and 13-hour days made people exhausted by the end of their shift, and basically useless on their days off in between shifts because of sheer exhaustion.  Let me tell you no one asked, “How can I help?” We were all too tired just trying to keep up with our own work.  I know this because I left dialysis while working under these conditions.  But that is not the point of this blog.

What is the point?  The point is how better the world would be if, when we are told about another person’s problem our first response would be, how can I help?

We live in a world where the rugged individualist has become something to aspire to.  “Pull yourself up by your own bootstraps” or “Do you have to have someone hold your hand?” are both cliches that tell us we are all to be self-sufficient.  That we shouldn’t need anyone else and to quote Dolly Levi from The Matchmaker that we should “Thank God that no one else’s life is tangled up with ours.”  In The matchmaker, which became the musical Hello Dolly, Dolly learns that living that way is ultimately unhappy and the play and musical is her attempt, “to rejoin the human race.”

I think it’s time for us all to rejoin the human race.

People were never meant to live life on their own.  It’s a Bible fact that says two are better than one and that’s not about marriage it’s about life.  No one should have to or ever feel like they have to go it alone.  And yet many people do.  If this weren’t the case songs like Elinor Rigby or Alone Again Naturally, or Dust in the Wind, would never have become popular.  Let’s be honest those are basically songs to commit suicide to, and I’m willing to bet that some people have.

Suicide is another problem which I believe stems from the idea that everyone has to make it on their own.  Now, that is not the only reason.  There are many other reasons people commit suicide.  If you grow up being taught that this is the ideal way to live, making it on your own, then the minute you realize you cannot live this way you have to consider yourself a failure or feel less because you have to ask for help.  Can you imagine with me a world that instead of chiding you for not making it on your own, asks, “How can I help?”

It would be a friendlier world.  People would no longer be looking only at their own interests but also at the interests of all the other people in their lives.  Dickens makes this perfectly clear through the character of Jacob Marley in A Christmas Carol.  Marley was dead and in chains, eternally remorseful for all the times he “minded his own business,” and did not reach out a hand to those who suffer or are in need.  I call this part of Marley’s discussion with Scrooge, “Marley’s Lament.”

“Oh! captive, bound, and double-ironed,” cried the phantom, “not to know, that ages of incessant labour by immortal creatures, for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!”

“Life’s opportunities misused.”  Marley is not talking about opportunities to advance his career or to make more money.  He took advantage of all those opportunities and it led him to eternal torment.  Marley is referring to all the times he saw someone in need and walked away believing it was none of his business instead of asking, “How can I help?”

We are all, in many ways, self-centered these days.  First, it’s ourselves we look to and then our families.  After that, we may find time to help out a friend, but many of us don’t.  I’m thinking of myself as much as anyone else.

Today, for instance, I was just coming in from the doctor’s office, and a lady who I know just a little was coming in thru the other door.  I let her in so she wouldn’t have to scramble for her keys.  We said hello and I headed for the elevator.  While I was waiting she said a package had arrived that was supposed to help her with her TV reception.  She said she hoped she could figure out how to hook it up.  I responded that those devices are usually very easy to hook up and it should be no problem.  The elevator door was closing when I realized that she may have been actually asking for help.  I stopped the elevator door and said if you need any help come on up and get me.  I couldn’t just volunteer to come with her and set it up as I had to get out of the shoes I was wearing.  They help my feet but I can only wear them a little while each day.  I don’t have her phone number or apartment number so I can’t reach out and see if she needs help. I feel a bit bad for not saying outright, “how can I help?”

Most TV shows are entertaining very few are inspiring.  New Amsterdam is a show that I find both entertaining and inspiring.  It’s a rare breed of television show and I hope you all take some time to catch up with it.  It runs on Peacock and Hulu as well as NBC.  I don’t know where you can stream the whole series, although it may all be on Peacock.  I really encourage all of my readers to watch.

HEALTH UPDATE

I went to my Primary Care Doctor today and though he was pleased with me in general, the bottom line is I gained two pounds in the last month and lost none.  I wanted to avoid telling you this but when I began this journey I made a promise to keep you informed win or lose.

For me, I didn’t really lose this month.  Yes, I gained two pounds, but I gained those pounds while actively dealing with another health problem.  The stress of that problem influenced me to eat more than I was.  Previously I was never hungry at lunchtime, all of the sudden I was always hungry at lunchtime and I had only bad choices to eat.  And I ate them.  That health issue is now under control and I am back on the path I had been on.

That’s it for now.  Here’s my parting thought, if someone relates to you a problem they are going through, instead of offering advice first ask, How can I help?

The picture is the central cast of New Amesterdam from top left Dr. Iggy Frome (Tyler Labine) Head of Psychiatry, Dr. Helen Sharpe (Freema Agyeman) head of oncology, the big photo Dr. Max Goodwin (Ryan Eggold) Bottom left Dr. Lauren Bloom (Janet Montgomery) Head of The Emergency Room, and last Dr. Floyd Ryenolds (Jocko Sims) Head of Cardiac Surgery.